Monday, July 4th

A Review of Batchelor, Living With Good and Evil


EVERYONE HAS A SHADOW –GUESS WHO IT IS?

Review of Stephen Batchelor,
LIVING WITH THE DEVIL: A MEDITATION ON GOOD AND EVIL
New York: Riverhead Books, 2004.

Years ago, in Walt Kelly’s popular comic strip Pogo, this famous opossum concluded that “We have met the enemy and he is us.” This conclusion is not news for Buddhists, of course. In fact, we might have news for Pogo and his friends in the Okenfenokee swamp. We can say “You’re right, Pogo. Without the enemy, there is no us—and no Buddha either!”

In his new book, Stephen Batchelor illuminates this profound truth of universal Buddhism. He turns it like a wondrous jewel to let readers appreciate the brilliant wisdom and deep compassion that flood out from its many facets. Batchelor himself is trained in Tibetan and Zen traditions, but there is nothing sectarian in his message. Every Buddhist, indeed every thoughtful person whether “religious” or not, can gain from this book a heightened awareness about the causes of the human predicament and the healing perspective that is right here now, hiding in plain sight.

Batchelor has divided the text into three major sections, each containing several brief chapters. In the first section, The God of This Age, Batchelor introduces the character of his title: the Devil, with his many aliases and disguises. He shows us Mara the Killer as he repeatedly tempts Siddartha Gotama who is sitting like a rock against the bodhi tree. And like a bullet train on tracks of heart and mind, Batchelor speeds to the core of Buddha-Dharma within six pages of beginning the book by describing the results of Buddha’s victory over Mara:

“ At the heart of Buddha’s awakening lies a counterintuitive recognition of human experience as radically transient, unreliable, and contingent….Siddartha Gotama realized that no essential self either underpinned or stood back and viewed the integrated display of colors, shapes, sounds, sensations, thoughts, and feelings that arise and vanish in each minute of consciousness. This startling insight shook him to the core of what he felt himself to be….Gotama found this revelation…to be deeply liberating. He referred to this freedom as ‘nirvana’….Elsewhere he spoke of this as ‘emptiness’: an open space where the idea of being an isolated and permanent self is no longer able to ensnare one….For him, an understanding of emptiness transformed a compulsive cycle of fears and cravings into a path of wisdom and care that enhanced inner freedom and empathetic responsiveness. Rather than an absence of meaning and value, emptiness is an absence of what limits and confines one’s capacity to realize what a human life can potentially become.” (pp. 6-7).

If I could cogitate, concentrate, meditate, and donate in order to incorporate the truth that is pointed to in these 161 words, I would thereby become a Buddha. A simple phrase accurately evaluates this possibility: fat chance! Not me, not this time around. But why not?

Being human at this place and time, I have a shadow that is so much a part of me that we coexist like the two sides of one coin. In the first section of the book, Batchelor introduces me to my shadow, creating a temporary separation between us and inviting me to meet my shadow honestly. He shows that “my” shadow has the amazing feature of being unique to each one of us while also being alive in all of us. Over historical time, the shadow has had many names: Mara, the killer; Satan, the adversary; Diabolos the obstructor; and so on. In the nineteenth and twentieth centuries, as Western scientific and other secular ideas partially eroded and replaced traditional religious beliefs, the devil became humanized in the form of boredom, anxiety, and celebrations of greed and violence. But, in spite of all this naming and analyzing, the devil remains elusive. The forms and styles of the devil are as various as the forms and styles of the billions of sentient humans who inhabit the planet: “In the end, we humans are the only adequate metaphor for the devil” (p. 27).

We should have no illusions: we are part and parcel of the devil, and we are at war with ourselves: “The psychological root of this rebellion is the conceit of being a static self, severed from all relationship, that renders intolerable that we might be contingent on anything but our own innate power” (p. 37). This is Batchelor’s elegant restatement of the Second Noble Truth: the cause of our suffering is attachment to ego.

There may be some readers who doubt that these assertions by Batchelor are in full accord with the teachings of our Shin Buddhism. If so, then please hear what the great Shin writer Shiuchi Maida says about the devil in his powerful book The Evil Person:

“Sakyamuni did not find himself a devil; Sakyamuni, who already was a devil, was awakened to what he really was. What I am trying to say is this: If I declare I am a devil, there is still a separation between me and the devil; there is still some lukewarmness. How then, do I want to describe it? I say that the devil realized that he was a devil. It was not Sakyamuni’s—or my—awakening to being a devil, but a devil’s awakening to being a devil” (p.73).

Putting the Batchelor and Maida statements together is a reminder that all of these assertions are about me, personally. I speak only for myself alone, not making religious judgments of others.

In Section Two of the book, Creating a Path, Batchelor catalogues many ways that we close ourselves off from the freedom that awaits us through a realization of emptiness, and he describes how we can find the emptiness we seek. He refreshes our understanding of “the path,” a metaphor that risks becoming cliché in casual discussions about spirituality. A path is a form of space, “a space where nothing gets in the way” (p.71). It is unfortunate, he says, that in English we don’t have the verb “to path.” Rather, we separate the act or process of moving freely from that upon which we move. “By contrast, in Sanskrit the noun pratipad (path) comes from the same root as the verb pratipadyate, which means ‘he or she paths’ ” (p. 72). So to be on a path is to act, to practice. Every decision entails action of some sort. We act whether we like it or not, so we have a practice whether we like it or not. Some practices open paths that are relatively wide and free, while other practices are paths that are relatively cramped or circular. The question becomes, what shall our path be?

Batchelor enriches the metaphor of the path with numerous descriptions and examples, including some that bear implicitly on the uniqueness of Jodo Shinshu teachings. For example, he describes the difference between having a task and receiving a gift; both are “pathing” (p.79). The eighteenth vow of Dharmakara/Amida assures us that reciting the Nembutsu with joyful, sincere entrusting and aspiration to arrive in the Pure Land is the occasion for confidence in that arrival. Thus Amida’s gift of assured entrance into the Pure Land, when fully appreciated in consciousness, causes us to announce the Nembutsu of gratitude. In the Pure Land tradition, we have Nembutsu as cause and effect. As Reverend T.K. Tsuji wrote in his poem Gassho to Amida, “When I call Amida’s name, it’s Amida calling me. His voice and my voice are one. I gassho to Amida.”

Thus we have a tradition of receiving the great gift with only the briefest statement of a task: an aspiration undertaken with joyful, sincere entrusting announced in recitation. The task seems slight in comparison with the gift. But learning sincere entrusting is not a simple matter, at least for people like me who came to Jodo Shinshu as an adult from outside of the Japanese and Japanese-American Shin traditions. So for us it is quite natural, even if potentially misguided, to seek a way to deserve the gift through accomplishment of specified tasks. Batchelor offers a word of warning to us: “Creating a path is like learning to play a piano. It may require years of discipline to achieve technical mastery of the instrument, but for the music to come alive requires a sensibility and inspiration that cannot be learned” (p.79).

If I cannot learn great sensitivity and transforming inspiration, then what am I to do? Perhaps the answer has already been given above: to awaken completely, as a devil, to the fact that I am a devil, hopelessly conflicted and enmeshed in my humanity. Shinran leads the way to this awakening by his example, when he says in the Tannisho: “…if I were capable of realizing Buddhahood by other religious practices and yet fell into hell for saying the nembutsu, I might have dire regrets for having been deceived. But since I am absolutely incapable of any religious practice, hell is my only home” (Taitetsu Unno translation, 1984, p.6).

In Section 3, Living with the Devil, Batchelor situates the path squarely in everyday life, which is particularly appropriate for householder Buddhists. Many readers will be challenged by Batchelor’s interpretations of Sakyamuni as a practical political person who had to deal pragmatically with the powerful kings Ajatasatru and Pasenadi. Equally challenging, in my opinion, is Batchelor’s insistence that we must continuously guard against letting the forms of institutional religion become hindrances on the path to emptiness.

In his concluding chapters, Batchelor warns that Buddhist teachings can become entangled in the all-too-human effort to seek permanence in the structure of a church. There is also the risk that the teachings become hidden by traditional details. Both risks exist for American Jodo Shinshu. But there is certainly hope for the future. Gifted authors have allowed the Nembutsu teaching to breathe the local air and speak in the local tongue. Consider, for example, the works of Alfred Bloom, Gyomay and S.K. Kubose, Koshin Ogui, Hozen Seki, Ruth Tabrah, Kenneth Tanaka, K.T. Tsuji, Taitetsu Unno, and Seigen Yamaoka.

The truth of the teaching is available to all of us in the books of these authors and the dharma messages of many ministers. It is up to us to listen deeply and with care. Batchelor’s book teaches us that careful listening begins with an admission about our nature: we are always living with the devil.



Gordon Bermant on 07.04.05 [link]





Monday, July 4th

A few haiku


On July 25, at the end of the ABSC Conference on Faith and Practice, Abe Yoshida coordinated a wonderful reading of poetry. Many lovely poems were read. Some folks read their own poems, others recited favorites from memory.

I was stimulated to dig into some pretty old files to resuscitate two sets of haiku I had written in the dim past. Ego being boundless, I share them here, hoping you will find some enjoyment and/or amusement in them.

Gassho, Gordon

MEDITATION: SEVENTEEN SQUARED

I try to sit still
King Mara sticks his tongue out
Snakes dance just off stage

At Mara’s command
Lovely women I have known
Pay me a visit

I must be polite
I rise to meet my guests
Untethered balloon

Mara waits on us
Serving luscious food and wine
Bonno appetit!

Lusting follows lunch
Images of abandon
Everything is free

Shut up! Silly fool
Wasting time with lechery
One-eyed gross old man

Quiet now, once more
Counting breaths as they go out
Doing nothing else

All the way to four
Without breaking stride at all
Watch this, Ananda

Seven now, oh yes
Bliss is just around the bend
I’m in business now

Hooray, then, for ten
Breaths blown out, attentive count
Wisdom is at hand

Oh fatuous fool
Just boiling rocks and sand
Thinking they are rice

Can’t you just sit still
Not toot your horn, roll your drum
Not honor yourself?

Trying not to try
Hoping not to hope for truth
How can I do that?

Hope leaps over time
Anchored to now, jumps to then
The void in between

This is the problem
When I hope I break a bridge
On the path of truth

Trying is surplus
Weighs like a stone on the back
Of the home-leaver

Just sitting quite still
Breathing, breathing, and hearing
Buddha’s voice out loud

-------------

THE VOICE OF BOMBU

Here is the bombu
A turkey stuffed with bonno
Dreaming nightingales

Bombu’s voice speaks out
Full of confidence and pride
Empty envelope

Bombu has a voice
That he thinks is all his own
His breath fogs the mirror

Bombu so prideful
Complete with envy and greed
Yet, Amida speaks

Why does Amida speak
Through this curious bombu?
Buddha nature stirs

In praise of Buddha
Talking is insufficient
And so is silence

-----------------------




Gordon Bermant on 07.04.05 [link]




Monday, November 15th

Having a conversation


Having put a couple of little articles onto this site, I realize I haven't opened the door to communicate with anyone. If you'd like to have a chat about the stuff I have put up, or Shin Buddhism generally, I'd love to hear from you at gordon.bermant@verizon.net.

In gassho, Gordon


Gordon Bermant on 11.15.04 [link]





Monday, November 15th

Reverend Nobuo Haneda Illuminates the Larger Pure Land Sutra


On Saturday, October 23, Reverend Dr. Nobuo Haneda, Director of the Maida Institute of Buddhism in Berkeley, California, conducted an all-day seminar at Ekoji Buddhist Temple (Fairfax Station, Virginia) on the structure and meaning of the Larger Pure Land Sutra (Daimuryojukyo, Sukhavativyuha-sutra), the most important text in the Pure Land tradition. Rev. Haneda is a distinguished student of Pure Land Buddhism, specializing in the teachings of the modern masters Manshi Kiyozawa (1863-1903), Haya Akegerasu (1877-1954) and Shuichi Maida (1906-1967) and translating sutras and the writings of early masters such as Zendo (Shan-tao, 613-681).

Reverend Haneda brought a clarity and vigor to Pure Land doctrine which challenged and refreshed open-hearted listeners. He emphasized the importance of our comprehending Amida Buddha as a personal symbol, like “Hamlet” or “Faust”, rather than as deity or historical person. He showed how the structure of the Larger Sutra was comprehended by Vasubhandu (4th century C.E.) into the so-called “Five Gates of Mindfulness” in Dharmakara’s practice during his journey to becoming Amida Buddha: worship, praise, vow-making, meditation, and merit-transference. And structurally, he showed the fascinating parallel structure in the opening portions of the sutra. The first conversation between Sakyamuni Buddha and Ananda foreshadows the initial interaction between Lokesvararaja Buddha and Dharmakara.

Haneda Sensei insisted that the opening conversation between Sakyamuni Buddha and Ananda contains a deep meaning that unlocks the significance of the rest of the sutra for us. Specifically, Ananda praises the appearance of Sakyamuni, saying

“today all your senses are radiant with joy, your body is serene and glorious, your august countenance is as majestic as a clear mirror whose brightness radiates outward and inward. The magnificence of your dignified appearance is unsurpassed and beyond measure. I have never seen you look so superb and majestic as today….The Buddhas of the past, present and future contemplate each other. How can this present Buddha not contemplate all other Buddhas?” (Translation of Prof. Hsiao Inagaki; emphasis added).

After checking to be sure that Ananda had arrived at these observations and question without prompting from “any deva” but rather out of his own wisdom, Sakyamuni praises Ananda for his “profound wisdom and subtle insight in asking me this wise question out of compassion for sentient beings.” And then Sakyamuni proceeds to describe the characteristics of himself as Tathagata and to develop the narrative of Dharmakara, Lokesvaraja, and the remainder of what we now call the Larger Sutra. In a deep reading of this text, Reverend Haneda showed us that the statement “The Buddhas of the past, present, and future contemplate each other”, which in Japanese includes “Butsu – Butsu – so- nen” is none other than the Nembutsu itself. So here we have the historical Buddha responding to his disciple’s profound question with long and expedient answer, in the form of the sutra, that might under other circumstances have been shortened to a much briefer answer: “Yes, I am contemplating all the other Buddhas [all the virtues contained in and by all perfectly awake beings], which is what Buddhas do.” In other words, “Namo Amida Butsu.”

In support of his interpretation, Haneda Sensei noted that Shinran, in the brief Kyo (Teaching) section of the KyoGyoShinSho, quotes only this portion of the Larger Sutra. And from this opening conversation, Haneda Sensei continued, many important religious consequences follow.

The rest of the seminar was given over to an exploration of these consequences. Here there is space to mention but one, but it is an important one. All Buddhas, that is all awakened ones, are in continuous contemplation of all other Buddhas. The gathering of all the wisdom and compassion of all Buddhas is, exactly, Amida Buddha, limitless wisdom and limitless compassion. One can say this in another way: Buddhas are not intentional teachers; rather they are unremitting, perfect students. The “educational benefits” that arise from our exposure to Buddhas is the result of the Buddhas’ perfected studentship. With this interpretation, Haneda Sensei reinforced an insight that he had earlier published in the introduction to his English translations of essays by Shuichi Maida:

Thus is would be more accurate to say that Sakyamuni became a student, rather than a teacher, at the moment of his awakening.
Thus impermanence and studentship are synonymous: the former is the truth itself and the latter is the form the truth takes when it is converted into a human life-style. Just as we are emancipated when we are penetrated by the truth of impermanence, so we are liberated when we live true studentship. Realizing true studentship is not one of the conditions for liberation in Buddhism; it is the content of liberation.” (Heard By Me, 1992, p. 9).

The Ekoji sangha was deeply appreciative of Reverend Haneda’s willingness to come from California to Virginia to share his wisdom with us. The sangha also thanks Bukkyo Dedno Kyokai (USA) for its continuing financial support of our Buddhist education programs.

In gassho to all who access this site, Gordon Bermant


Gordon Bermant on 11.15.04 [link]




Sunday, October 17th

The Meaning of Higan


We celebrate Higan on the spring and autumn equinoxes, the midpoints between the longest and shortest days of the year. Here is a description of Higan-e provided by the Hongwanji in Kyoto in their little book Jodo Shinshu Guide that the Hongwanji recently made available to every BCA family:

“Higan” means “the other shore. It is an abbreviation for “to higan” meaning “reaching to the other shore (of nirvana).” Conducted during the vernal and autumnal equinoxes when days and nights are of equal length, it is a service of reflection when practicers should meditate on the harmony of nature and devote themselves to the realization of this harmony in our inner lives. During the week-long observances, emphasis is placed on the observance of the Six Paramitas (precepts) which lead to “the other shore.” Paramita is the Sanskrit for “gone to other shore.”

Another frequently used definition of paramita is “perfection,” so that the six paramitas are also known as the six perfections.

So, to begin, we clearly see the immediate connection between Higan and paying attention to the Paramitas, because these two words, one Japanese and the other Sanskrit, both point to the metaphor of “crossing over”: going from where we are to somewhere else, across an obstacle, which is given, in symbolic terms, as a river.

We are to cross a river, from this shore to the other shore, and we are instructed to consider and perfect six practices in this quest—these are the six paramitas.

But what are the six paramitas? I’m sure many of you already know what they are, but let’s review them briefly:

1. Dana-paramita: generosity, both material and spiritual
2. Sila-paramita: self-discipline, morality, good deportment
3. Ksanti-paramita: steadfastness, patience, high resolve
4. Virya-paramita: energy, or right effort
5. Dhyana-paramita: meditation, particularly mindfulness and insight meditations
6. Prajna-paramita: wisdom, particularly the wisdom of seeing into the impermanence of all things and the true nature of causes and effects.

Next we can ask why we, as Shin Buddhists should pay particular attention to the six paramitas? One good answer to that question is that one of the great poems or hymns of our tradition refers explicitly to the six paramitas: it is the San Butsu Ge, which King Dharmakara recites as praise to Buddha Lokesvararaja. At Ekoji we use the translation by the late Ruth Tabrah and Reverend Matsumoto of Hawaii. The verse in question they translate as follows

I, Dharmakara,
Yearn to experience the Samadhi
Which you are experiencing!
In it I shall open the gate
Of the six perfections,
The gate which opens all dharmas:
Dana, Awareness and the resolve
To open this awareness to all.
Sila,
Restraint practiced with ksanti, patience.
Virya, strongest effort.
Dhyana, the contemplation that opens the eye of Samadhi
To prajna,
The wisdom of illumination,
The wisdom that frees and emancipates;
The wisdom of things as-they-are.


Among the six paramitas, is there any way that we might order them in terms of importance for us? It seems that some English translations of the San Butsu Ge give us an answer to that question. In our BCA service book, the translation includes the following statement:
Among virtues of Dana, readiness, discipline,
Patience and Endeavor,
The highest shall be deep meditation and wisdom.

So here it seems that for ourselves, following in our own humble ways the path of the Bodhisattva Dharmakara, we should consider deeply the role of meditation in our lives for the development of wisdom.

. This is precisely where our Shin Buddhism connects directly with another great Mahayana tradition, the teachings of Prajna Paramita as carried on to this day in the Zen tradition. One of the highest expressions of this tradition in the brief sutra known in Sanskrit as the Mahaprajnaparamita Hridaya Sutra, or in Japanese as the Maka Hannyaharamita Shingyo, or as it is known simply in English, the Heart Sutra. The Heart Sutra asserts the perfected wisdom of total interdependence, sunyata. In its conclusion it urges us to understand the significance of the other shore of wisdom by saying:

All Buddhas, Bo Dhi satt Vas rely On prajna paramita And There Fore Reach The Most supreme En Light En Ment. There Fore, Know prajna Pa Ra Mi Ta Is The Great Est Dha Ra Ni, The Bright Est Dha rani, The High Est Dha Ra Ni, The In Com Pa Ra Ble Dha Ra Ni. Itcom Plete Ly Clears All Suf Fer Ing. This Is The Truth, notfalse Hood. So Set Forth The Praj Na Pa Ra Ml Ta Dha Ra Ni.Set Forth This Dha Ra Ni And Say Ga Te, Ga Te Pa Ra Ga Te, Pa Rasam Ga Te. Bo Dhi Sva Ha.

I believe it is correct to say that the truth contained in the Heart Sutra places the sutra at the very pinnacle of world religious understanding. It is, as it was meant to be, an expression of wisdom perfected.

But speaking for myself, I am no Zen master or accomplished meditator. My mind is frequently a nervous jumble of conflicted and sometimes wicked thoughts, and my behavior too often follows the impulses of my monkey mind. In short, I am merely bombu, stuffed as full with the 108 afflictions as a Christmas turkey is stuffed with bread crumbs. I can stand here with a collection of sutras and commentaries in my hands, but my life does not measure up to the image of Dharmakara Bodhisattva setting out on a journey of 5 million years in order to learn the truth – far from it.

How grateful I am, therefore, for the life of Shinran Shonin, who went to the heart of the Paramitas, who went to the heart of the Mahayana teaching, who fearlessly uncovered his own humanity, and discovered there, within his own weaknesses, that Dharmakara’s long journey had been successful. Shinran has made it clear to us that Dharmakara’s immense journey crystallized a vision of perfected wisdom (Prajna paramita) and perfected compassion (Maha karuña). Dharmakara could cross-over into Buddhahood, and as Amida Buddha could turn back to us bombu and create the conditions for us to join him.

So here we are, flawed human beings at the time of the autumnal equinox, standing on the shore of samsara. We have a vision of a river that separates us from the other shore: the Higan, the Paramita, and the gateway to Nirvana – the Pure Land. Our tradition as Shin Buddhists is part of the great Buddhist vehicle. We are all passengers on the Mahayana.

Among the seven masters whose Pure Land teachings Shinran emphasized, we benefit at the time of Higan from the teaching of Shan-Tao, who lived between 613 and 681, about 500 years before Shinran. Shan-Tao’s parable of the rivers of fire and water give us a vivid image with which to contemplate the meaning of crossing to the other shore. Professor Taitetsu Unno used Shan-Tao’s parable as the title and theme of his book, River of Fire, River of Water. Here is Unno Sensei’s account of the parable:

“…a traveler is journeying through an unknown and dangerous wilderness. Soon he is pursued by bandits and wild beasts, and he races to get away from them. Running westward, he eventually comes to a river divided into two, separated by a narrow white path. The white path is only a few inches wide and runs from the near shore to the far shore. On one side of the path the river is filled with leaping flames that reach twenty feet into the air; on the other, the deep river has a powerful current that overflows with dangerous waves….Filled with fear, the traveler cannot go forward, cannot go back, cannot stand still. In the words of Shan-Tao, he faces ‘three kinds of imminent death.’
“Just at that time, the desperate traveler hears a calming voice right behind him on the eastern shore, urging him to go forward on the white path…. Just then, he hears a beckoning voice from the far shore: ‘Come just as you are with singleness of heart. Do not fear the flames and waves; I shall protect you!’

Unno Sensei tells us that Shan-Tao used the rivers of fire and water as symbols for our unquenchable anger and greed. These are the perils through which we must pass to move from our current position on the shore of samsara to the far shore of the Pure Land leading to nirvana. The path across is narrow and because we are weak in the face of the defilements we suffer in our deluded states. We are surrounded by temptations and risks, and there is but a narrow way through to the other shore. But we are encouraged by the voices we hear: the voice of Sakyamuni Buddha on this side, urging us to step onto the white path, and the voice of Amida Buddha on the other side, assuring us of his presence there. Unno Sensei writes beautifully on this point when he says

“As one embodies the call of Amida, it becomes single-minded and unshakable. This aspiration for supreme enlightenment is none other than the white path, now expanded and made safe, now an open passage through the flames of anger and the waves of greed.”

We are now close to the end of our journey this morning. Let’s look more closely at what we might expect when we cross to the other shore, to paramita, to Higan. In this task we have a great gift from the late Reverend Gyōdō Kōno. In an essay he wrote in 1959, called “Notes on a Fall Day,” Kono Sensei described his joy at contemplating the various images of Buddha in the Chicago Art Museum:


“Of all the Buddhist images, I am particularly drawn to the standing image of Amida Buddha…Once I saw an image of Amida Buddha with its hands placed together in Gassho. …That led me to consider….Amida Buddha represents ultimate existence. In fact, he, or she, represents “immeasurable light” (wisdom) and “immeasurable life” (compassion) itself.
“Placing hands together in Gassho is an act of worship, so what is it that the greatest Buddha of all is worshipping?

“….As I was considering this, it suddenly became clear. My heart tightened and I place my hands together in Gassho. The Nembutsu came out of my mouth without thinking.

“That’s it! That’s it! The object of Amida Buddha’s worship can be none other than myself. How mottainai! How unworthy I am!

“When I left the museum, the streets of Chicago were wet from the drizzle of autumn rain. While swaying in the bus seat on the way home, the Nembutsu continued pouring out of my mouth.”

With these words of Reverend Kono I have come to the end of my message. I hope I have been able to share the joy of Higan with you.

Namo Amida Butsu. Namo Amida Butsu.

Gordon Bermant on 10.17.04 [link]